My practice is rooted in ceramic sculpture and in forms that carry memory in their shape—animals, vessels, architectural fragments, and markers. Drawing on older visual languages, I explore how these forms remain active in the present. Through scale, surface, and repetition, the sculptures move between artefact and organism, body and object, holding traces of deep time and lived experience.

Clay is not simply a medium within my practice, but part of the thinking itself. I build forms by hand, often reducing them to matte, distilled surfaces that retain traces of touch, time, and transformation through fire. Meaning emerges through this negotiation between maker and material.